Core processing
Tone offers parametric filtering and phase modes; Dynamics combines Glue and bounded upward Density; Colour adds nonlinear character; Image changes frequency-region width.
AMSUITE · Mastering processor
Build a mastering chain and keep audition processing separate from the rendered master.

Reorder Tone, Dynamics, Colour and Image before Peak Core and Delivery. Loudness, peak and spatial measurements accompany the chain; a separate monitor output carries reference and comparison signals.
Tone offers parametric filtering and phase modes; Dynamics combines Glue and bounded upward Density; Colour adds nonlinear character; Image changes frequency-region width.
Separate clipping, Limiter Gain and limiting control peak workload. Delivery Trim only attenuates; optional dither and quantisation follow it.
A/B/C/D sonic snapshots, separate delivery profiles and stage locks support comparison. References and audition transformations do not replace output bus 0.
Inspect post-delivery peaks and loudness, capture an input profile and run a start/end Master Check.
Establish input headroom, set the core-stage order and make tonal and dynamics decisions before driving Peak Core. Route the monitor bus separately for comparisons, then inspect the actual delivery output.
Init; user presets and A/B/C/D snapshots.
macOS 11.0 is the compiled minimum target. Compatibility with every host and OS combination is not established.
Latency is 17,664 samples (368 ms) at 48 kHz, including Init and bypass. This is a mastering workflow, not low-latency tracking.
Audition uses output bus 1 and requires a host that exposes additional effect outputs.
True Peak limiting retains a 0.10 dB reconstruction allowance. The ceiling is an upper bound, not a loudness target.
FIR Tone changes are asynchronous and may briefly interrupt audio. The plugin does not set the DAW export file format.
Include your macOS version, host and the steps that reproduce the issue.